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Josh Ritter stands up for gay rights at religious colllege

Written by Scott Mervis on .

joshritterJosh Ritter, who will be at the Byham on May 20, found himself in a moral quandary last weekend when he was booked to play a small Pennsylvania college with a restrictive behavioral code he could not endorse.

Rather than walk away, he chose to play, while also calling attention to the school's anti-gay policy. Now, the 36-year-old singer-songwriter from Idaho, is getting attention for more than just acclaimed albums like "The Animal Years" and "The Historical Conquests of Josh Ritter."

His post, about playing the show and now boycotting the school, has generated a huge debate on his Facebook page. Here is what he said:

I travel a lot - this month I was in fifteen cities in as many days. I always like to learn a little bit about the place I'm going to play - that Chicago has the fourth largest GDP of any world city, or that Louisville is famous for a sandwich known as the "Hot Brown."

Today I was Grantham, Pennsylvania, at Messiah College, and as I was doing a little digging about the place I learned something that surprised and disappointed me.

Messiah College requires all students to sign a "Community Covenant" promising to, among other things, "avoid such sinful practices as...homosexual behavior...."

This policy, which I see as exclusionary and bigoted, could not run more counter to my personal beliefs. If I had done my homework, and read about Messiah's policies ahead of time, I would never have agreed to play there.

I did play at Messiah College tonight, and I chose to use the opportunity to talk to the students - to encourage them to seek openness and change. I spoke honestly about my personal views - that we should all have the right to love - and to marry freely, no matter what our sexual orientation. Everyone was respectful and kind, and it is my hope that they'll continue to demand a change to the Community Covenant.

I hope to have made the best of a difficult situation. I'm donating the fee I received from Messiah College tonight in its entirety to The Trevor Project (thetrevorproject.org), the leading national organization providing crisis intervention and suicide prevention services to lesbian, gay, bisexual, transgender and questioning youth.

I won't play Messiah College again - not until they welcome, in word and deed, all members of their faith regardless of sexuality, and I urge my fellow musicians to do the same.

- Josh Ritter

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'Iron Man 3' bursts out of summer gate

Written by Barbara Vancheri on .

robert-downey-jr originalblog

Only “Marvel’s The Avengers” opened bigger but “Iron Man 3” (Robert Downey Jr., above) has nothing to apologize for, with an estimated $175.3 million North American debut. That’s the second biggest domestic opening of all time.

After 12 days of release, it’s earned $680.1 million globally, according to hollywood.com.

Here are the top movies for the week, with final numbers due Monday as always:

1. “Iron Man 3” -- $175,300,000.

2. “Pain & Gain” -- $7,600,000.

3. “42” -- $6,210,000.

4. “Oblivion” -- $5,796,700.

5. “The Croods” -- $4,225,000.

6. “The Big Wedding” -- $3,875,000.

7. “Mud” -- $2,200,000.

8. “Oz the Great and Powerful" -- $1,822,000.

9. “Scary Movie 5” -- $1,435,000.

10. “The Place Beyond the Pines” – $1,297,934. 

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'Iron Man 3' off to robust start

Written by Barbara Vancheri on .

posterIf you went to see “Iron Man 3” on Friday, you helped it into the record books. It had the ninth biggest single-day gross of all time with $68.3 million.

Hollywood.com, which will have weekend figures Sunday morning, expects it to debut at $165 million to $170 million in North America. The picture is already a hit overseas, where audiences got a head start on the movie by a week.  

“Iron Man,” the first movie kicking off the franchise, had an opening day gross of $38.7 million, with an opening weekend of $98.6 million. “Iron Man 2,” generally considered the weakest of the three pictures, had a first-day gross of $51.2 million, with an opening weekend of $128.1 million.

So, who holds the record for biggest single-day gross? “Harry Potter and the Deathly Hallows, Part 2” brought in $91,071,119 in North America.

Second:  “Marvel’s The Avengers,” $80,813,985. Third: “The Dark Knight Rises,” with $75,754,897.

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Oscar eases voting rules

Written by Barbara Vancheri on .

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The Academy of Motion Picture Arts and Sciences announced today that, for the first time, the entire voting membership will automatically be eligible to vote in all 24 Oscar categories.

The Board of Governors approved a plan allowing members to see the nominated documentary shorts and foreign language films either at a theatrical screening or on DVD.

Before the final round of voting, the Academy will provide members with DVDs of the nominated films in five categories:  foreign language film, documentary feature, documentary short subject, animated short film and live-action short. In previous years, members had to see the nominated films in a theater to vote.

Academy President Hawk Koch made the announcement today and said in a press release, “Building on this past season’s 90 percent record voter turnout, we want to give our members as many opportunities as possible to see these great films and vote in these categories next year.” The nomination process is unchanged.

The next Oscars will be March 2, 2014, at the Dolby Theatre in Hollywood. 

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Spirit of '93: Breeders have a blast with 'Last Splash'

Written by Scott Mervis on .

breedersBreeders/Pamela SimmonsA normal Breeders set, like one in the '90s heyday, would have built up to "Cannonball," but at Mr. Smalls Friday night, the band rolled out the big gun early.

The '93 version of the Breeders -- Kim and Kelley Deal, Jim MacPherson and Josephine Wiggs, with violinist Carrie Bradley -- has reunited for a 20th anniversary of "Last Splash," the album that broke the band in the midst of the Nirvana-led alt-rock explosion.

"Last Splash" is one of the quirkier albums from that era, as anyone could tell Friday night, even if they were hearing it for the first time. There's certainly no getting bored with one prevailing style.

The well-known "Cannonball" is in that Pixies mode of arty rock that goes from sweet pop to a loud blast. The almost equally catchy "Divine Hammer" isn't far removed from the Go-Go's. "I Just Wanna Get Along" is a pop-punk take on '60s surf rock. And then there are the whimsical departures, like the drony "Mad Lucas," noise-rock instrumental "S.O.S." and country-pop ditty "Drivin on 9."

Although only a few dates into the tour, the Breeders pulled it off expertly, and with a friendly, self-deprecating vibe that matched the mood of the adoring crowd. The Deal twins, at 51, haven't lost any of the sweetness or edge to their voices, and despite the downtime, the nimble rhythm section had no problem locking into its groove.

After about 45 minutes of "Last Splash," the Breeders returned with a high-energy, seven-song encore that included Guided By Voices' punchy "Shocker in Gloomtown," punk-rock rager "Head to Toe" and the offbeat cover of "Happiness is a Warm Gun."

On Friday night, the DIY spirit of '93 held up nicely in '13.

 

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