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Reid Paley: Laughing in the face of life's unrelenting ugliness

Written by Scott Mervis on .

paleyIn a town previously known for doo-wop and blues-based bar bands, Reid Paley came along in 1980 to help ignite a new scene with a four-piece band called The Five that could have become one of the era’s more formidable post-punk bands had anyone been paying attention to Pittsburgh.
 
Paley was a Brooklyn-born singer who came here for college, and made his impact not only as the howling voice of The Five, but as catalyst in organizing the scene and being a thorn in the side of the elder bands.
 
In 1986, The Five picked up and moved to Boston, where it made one more album, before disbanding. During his stint there, Paley struck up a friendship with Black Francis (aka Frank Black) that has led to a handful of collaborations. Along with touring together, the Pixies frontman produced Paley’s 1999 debut, “Lucky’s Tune,” and their writing collaborations appeared on some of Black’s mid-’00s albums, including the song “I’m Not Dead (I’m in Pittsburgh),” which isn’t as insulting as it sounds.
 
In 2010, they hooked up for “Paley & Francis,” a raw, bluesy Americana record cut over two days in Nashville. Now, they're on tour together, playing a sold-out show at Club Cafe on Tuesday. Paley, who’s been back in Brooklyn since the early ‘90s, took time out this week to talk on a wide range of subjects.
 
What can people expect from this show — two solo sets and some overlap?
Who knows. We’ll see what happens. I’ll play, he’ll play. Maybe somewhere in there, something will happen, who knows. We’ll figure it out as we go along. We’ll work it out on the drive up the Hudson.
 
Take me back to when you guys first met. What that was like? 
We were both playing the Boston rock club circuit. The first time or so, the Pixies opened up for us. It was a very long time ago, it was a very new band.
 
Do you see something right away?
Oh yeah, of course. They were a great band. They kind of offended certain people in the Boston rock scene, because it was a very strict garage-rock kind of thing, even back then. And The Five, we showed up in Boston, a bunch of guys with long hair, and some members had tattoos, and we were like Led Zeppelin compared to what was going on in Boston at the time. It was good, but it was all kind of garage-rocky. These were people who were used to playing in clubs with nice PAs and lighting systems and we were Troglodytes from Pittsburgh by comparison.
 

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Trump v. Miller: Would Donald have a case?

Written by Scott Mervis on .

mac-miller-at-stage-ae 420Where were you on the afternoon of Jan. 31?
 
If you were on Twitter, you might have noticed that Donald Trump went on a belated serial tweet frenzy against Mac Miller over the 2011 single “Donald Trump.”
 
The real estate mogul had formerly been a fan of the hometown rapper’s YouTube smash (now at 75 million hits), posting a video that said “...the ‘Donald Trump’ song just hit over 20 million, that’s not so bad. I’m very proud of him” and tweeting that Miller was “the next Eminem.”
 
His opinion flipped last week, most likely over an interview Miller did with Complex Magazine wherein he was critical of Trump’s political posturing during the campaign and referred to Trump as a certain feminine hygiene product.
 
Trump, who sued Bill Maher this week for comparing him to an orangutan, threatened a lawsuit against Miller, but hasn’t uttered a word since.
 
The question is, would he even remotely have a case?
 
Michael J. Madison, a law professor at the University of Pittsburgh, says there are some interesting precedents.
 
“The general rule comes from a federal case called Rogers v Grimaldi, which was brought by Ginger Rogers against the producers of a movie titled ‘Ginger and Fred.’ The rule, in its short form, is that using the name of a public figure in the name of an artistic work is OK if the name is artistically relevant to the work. (The legal interest is the figure’s ‘right of publicity’). 
 
“Most courts have been pretty generous with that standard (Ginger Rogers lost; the movie was about a fan’s obsession with their movies). But not all courts are so accommodating, and rap artists in particular sometimes suffer, because courts struggle to find the art in that form.”
He points to the case in which Rosa Parks sued “OutKast” over the song “Rosa Parks,” arguing that it had nothing to do with her or the Civil Rights movement. 
 
It ended with “an undisclosed cash settlement” and OutKast agreeing to work with the Rosa and Raymond Parks Institute for Self Development in educational programs.
 
Madison says that result “misses the point of the metaphor in that piece. My guess is that Mac Miller’s of Donald Trump is likewise metaphorical. Does that mean that Mac would lose? I can’t say. But the legal question is not merely whether Trump was defamed.”
 
Andy Cornelius, a Pittsburgh-based lawyer who deals with copyright and entertainment issues, said, that “the right of publicity is balanced against First Amendment rights (such as news and expression through entertainment). I wouldn’t go so far as to say that all entertainment prevails over the right of publicity, but in this case it probably does. So, I’d say Trump’s right of publicity is trumped here, ironic though that may be.”
 

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Lumineers blowing up and news on Mumford, Breeders, Nesmith

Written by Scott Mervis on .

The last time The Lumineers played Stage AE (August 2012), they had opening duties for Old Crow Medicine. A lot of has changed in a year, not only with the Lumineers but with the nature of pop radio.

The little acoustic tune “Ho Hey” got the band on Top 40 radio with Ke$ha, Bruno Mars, et al, up to No. 3 on the charts and two Grammy nominations.

Apparently, when you get on Top 40, people are surprised when you show up for a gig and can actually play. Singer Wesley Schultz told AP this week, “I can tell you that when we play live and when we sometimes go out in the audience, the reaction to just playing your instruments without any help, without any amplification or tricks, that surprises people in kind of a funny way because you’d think that most people would assume you could play your instruments and how it would sound. But they’re caught off guard, I think. People are used to things that are overproduced or slick or glossy, and this isn’t any of that.”

The Lumineers tonight at Stage AE is sold out, so a ticket is going to require some negotiation with the scalping crew outside.

A couple other concert notes:

* The Breeders are heading out on a tour to celebrate the 20th anniversary of “Last Splash,” the 1993 album that brought you “Cannonball.” The second show on that tour is going to be at Mr. Smalls on May 3. Tickets are going on sale Friday here

* It’s been a while since we’ve seen the smart Monkee. Mike Nesmith, who gave up his folk-rock career in 1965 to join the Pre-Fab Four, will make a rare Pittsburgh appearance at Carnegie Library Music Hall in Munhall on April 9 ($25-$45 aLibraryMusicHall.com).

* Mumford & Sons don’t have any shows scheduled for Pittsburgh, but you can catch them this summer about four hours away. The British folk-rock stars will headline the 2013 Mumford & Sons Gentlemen Of The Road Stopover in Troy, Ohio (north of Dayton).
The lineup is

Aug 30 - Edward Sharpe & The Magnetic Zeros

Aug 31 - Mumford & Sons

With guests to join over the weekend: Old Crow Medicine Show, The Vaccines, Half Moon Run, Those Darlins, Willy Mason, Bear’s Den, plus more

Tickets and camping will be available this Friday at 11:00 AM exclusively at GentlemenOfTheRoad.com.

 

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Beyonce Super Bowl halftime is showcase for Mrs. Carter Show World Tour

Written by Scott Mervis on .

BeyonceAP Photo/Mark HumphreyThe Super Bowl halftime show has turned into a 12-minute commercial for an upcoming tour, so it’s no surprise that Beyonce’s spectacle was followed by the announcement of the Mrs. Carter Show World Tour, the first time she’s hit the road since her since 2009’s I Am ... World Tour.

Not that it matters to Pittsburghers. Although Destiny's Child's retirement tour rolled through the Mellon Arena in 2005, Beyonce has yet to bring one of her solo tours here, and this one isn't coming either.

Pittsburgh has never been considered a hot market for R&B and dance-pop, which is why we haven't seen much of Rihanna or Mary J. Blige. Usher and Madonna came and drew well here. Chris Brown did not, although he's a different story altogether.

As for Beyonce, would the Super Bowl performance have sent you dashing for Ticketmaster, or will you be scrambling to get tickets in Detroit or Philly?

It was obviously just a snapshot of what she'll be doing on tour and, if Madonna is our guide, it might not even resemble it visually. For me, the game, despite the great finish, was painful to watch because of who was in it, and Beyonce did little to salvage the situation. Beyonce, unquestionably, has one of the best voices in her genre, but this wasn't about vocal quality or soulfulness. It seemed more like a jazzercise class, if that's what they still call it, with some really hot dancers.

She said, after the inauguration controversy, that she would sing live at the Super Bowl. It's hard to believe there wasn't a backup track because it sounded as processed as it looked. Like the Madonna halftime, it was filtered to resemble a video or movie of a live performance.

If you want the real B, here are the dates:

The Mrs. Carter Show Tour dates:

» 6/28 - Los Angeles, CA @ Staples Center
» 6/29 - Las Vegas, NV @ MGM Grand Garden Arena
» 7/2 - San Jose, CA @ HP Pavilion at San Jose
» 7/5 - Oklahoma City, OK @ Chesapeake Energy Arena
» 7/6 - Dallas, TX @ American Airlines Center
» 7/9 - Ft. Lauderdale, FL @ BB&T Center
» 7/10 - Miami, FL @ American Airlines Arena
»? 7/12 - Atlanta, GA @ The Arena @ Gwinnett Center
» 7/13 - Nashville, TN @ Bridgestone Arena
» 7/15 - Houston, TX @ Toyota Center
» 7/17 - Chicago, IL @ United Center
» 7/18 - St. Paul, MN @ Xcel Energy Center
» 7/20 - Detroit, MI @ The Palace of Auburn Hills
» 7/21 - Toronto, ON @ Air Canada Centre
» 7/22 - Montreal, QC @ Bell Centre
» 7/23 - Boston, MA @ TD Garden
» 7/25 - Philadelphia, PA @ Wells Fargo Center
» 7/26 - Atlantic City, NJ @ Boardwalk Hall
» 7/27 - Charlotte, NC @ Time Warner Cable Arena
» 7/29 - Washington, DC @ Verizon Center
» 8/2 - Uncasville, CT @ Mohegan Sun
» 8/3 - Brooklyn, NY @ Barclays Center

Go to her site for more details.

 

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Green Day is the Best Punk Rock Band of All Time

Written by Scott Mervis on .

greenday-1352314873Green Day is the Best Punk Rock Band of All Time ... Yes, Green Day. 

That's according to the readers of Rolling Stone.

With this, Rolling Stone has now given us a list that rivals the 2000 beauty in which the Backstreet Boys' "I Want it That Way" was named the No. 10 "Greatest Pop Song of All Time"

In this case, RS asked its readers to vote in an online poll, and that was the result. It runs right next to a poll that names Madonna's as the Greatest Super Bowl Performance.

If I were an editor at RS, I seriously would have considered ditching the whole idea once those results came in. Even Green Day should be embarrassed to be sitting atop of The Clash, Sex Pistols, Ramones and Stooges, the bands that created the template for that sound and image.

Beyond that, any band that has one of its albums adapted into a Broadway musical should be automatically disqualified from being on any list of the Best Punk Bands of All Time.

On my first read, I skipped the intro which notes, What we didn't count on were fan site Green Day Authority and the band's official site at GreenDay.com both posting the link and asking fans to vote for Green Day – which gave the group a significant boost in the final tally.

Does that mean we can just skip Green Day and start at No. 2. That makes The Clash the Greatest Punk Band of All Time, a choice that not many people are going fuss over.

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