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Big Score, really big score, Lisa Biewala's 'Airfield Broadcasts'

Written by Andrew Druckenbrod on .

I love Lisa Bielawa's music, but I am a bit skeptical of this:

 

Announcing Airfield Broadcasts in Berlin & San Francisco

Parallel Large-Scale Spatial-Musical Celebrations Featuring Hundreds of Musicians

Lisa Bielawa
Composer & Project Director

 

Tempelhof Broadcast
May 10-12, 2013
Tempelhof Field | Berlin

Crissy Broadcast
October 26 & 27, 2013
Crissy Field | San Francisco

Free and Open to the Public

www.airfieldbroadcasts.org

Crowdfunding Campaign for Tempelhof Broadcastwww.startnext.de/tempelhof-broadcast

Berlin & San Francisco — In 2013, two legendary urban airfields – Tempelhof Field in Berlin and Crissy Field in San Francisco – will be turned into vast musical canvases as part of renowned composer and San Francisco native Lisa Bielawa’s expansive new project, Airfield BroadcastsTempelhof Broadcast will take place on Friday, May 10 at 7pm; Saturday, May 11 at 3pm; and Sunday, May 12 at 2pm on the historic airfield-turned-public-park Tempelhof Field in Berlin in partnership with the Berlin Parks Department (Grün Berlin GmbH) and under the patronage of the U.S. Embassy. Crissy Broadcast will take place on Saturday, October 26 and Sunday, October 27 (performance times to be announced) at Crissy Field in San Francisco, part of the Golden Gate National Recreation Area. Each Broadcast is 60-minutes long, and all performances are free and open to the public.

Bielawa’s Airfield Broadcasts are massive, spatialized symphonies involving approximately 1000 professional, student, and amateur musicians, including orchestras, bands, choruses, and experimental new music groups from Germany and the United States. On the selected days in May and October, hundreds of musicians will perform on the grounds of the former Tempelhof Airfield and Crissy Airfield for thousands of music lovers (and unwitting park goers).

The goal of the pieces is to interpret and celebrate these public spaces, allowing listeners to draw their own meaning and experience from them. Bielawa hopes that the projects will have a palpable and sustainable impact on the cities involved. She says, “I would like to see Airfield Broadcasts bring about new partnerships, new vitality, and new relationships between arts and civic institutions, between different generations and economic strata, between arts or music lovers and totally non-arts-identified park-goers enjoying a surprise encounter with music as a ‘happening’ in the middle of their familiar and beloved city.”

 

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Change in Pitt Opera's cast for tonight's 'Madama'

Written by Andrew Druckenbrod on .

Tenor Roger Honeywell will step in for Bryan Hymel for tonight's (3/19) performance of "Madama Butterfly" at the Benedum Center. No reason given, but he is likely sick. He is still slated to sing this weekend in the rest of the run. Too bad. I liked his singing! . My review is here.

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Obit of Seymour Rosen, former head of PSO and national arts institutions

Written by Andrew Druckenbrod on .

The official link to our obit of Seymour Rosen is here, and that will have any updates or additions that I might not get to adding here.


Seymour Rosen

May 8,1925-March 16, 2013

 By Andrew Druckenbrod

Pittsburgh Post-Gazette

 

Seymour Rosen’s 11-year tenure with the Pittsburgh Symphony Orchestra was a major part of a long career as a highly respected orchestra executive. His time as managing director here had a long-reaching effect, including overseeing the move from the Syria Mosque to Heinz Hall and the hiring of Andre Previn.

 

Mr. Rosen died of cardiac arrest Saturday in his home Valhalla, NY. He was 87.

 

In the summer of 1967, Mr. Rosen came to Pittsburgh to lead the PSO during a turbulent but optimistic time in the American orchestra field. He guided the PSO to a full-time status, one of only a dozen orchestras that operated for 52 weeks a year.

 

“He really understood how orchestras work,” said his son Jesse Rosen, who followed his father into the field and is now President and CEO of the League of American Orchestras (known as the American Symphony Orchestra League until a few years ago). “He was a manager in the field when the profession was just growing up. He was a part of this movement in the 1960s and ‘70s during which a professional class developed that brought business acumen with discerning musical judgment and artistic purpose.”

 

“He was tough but fair,” said Harold Steiman, a trombone player in the orchestra at the time and later a manager. “There were financial crises, but he would always manage them.”

 

“Mr. Rosen was a strong manager, who kept audience enthusiasm as well as financial stability through difficult times,” said former Post-Gazette classical music critic Robert Croan. “I had much respect for his abilities, although he was known at times for being autocratic and sometimes difficult. Outside the office I found him and his wife charming.”

 

According to the Pittsburgh Symphonhy’s recent book on its history Mr. Rosen, who left Pittsburgh to lead the Philadelphia Orchestra in 1978, presided over many milestones. The number of annual PSO concerts increased from 174 to 259, the annual operating budget rose from $1.5 to $3.5 million, attendance more than doubled, to 500,000-a-year, and season ticket subscriptions tripled. He also established the PSO summer home in Ambler, near Philadelphia and played a large role in moving the home of the PSO from the Syria Mosque in Oakland to Heinz Hall Downtown in 1972.

 

But it is for his role in the change of artistic leadership of the PSO that Mr. Rosen will be most remembered. The first was the unenviable task of getting beloved music director William Steinberg, whose health was failing, to step down.

 

“I felt and the board felt that he could no longer carry the weight of a full season,” he said at the time according to the PSO archives. “It would be unfair to him and the orchestra for him to continue.” Mr. Steinberg officially retired in 1976.

 

Mr. Rosen’s next move made headlines worldwide, the hiring of popular musician and Hollywood star Andre Previn to succeed Steinberg. After Mr. Previn made a big splash in his debut with the PSO Mr. Rosen drove him to the airport and said, “I am going to ask you a question. If you won’t answer it I won’t ask.”

 

“What the hell are you talking about?” asked Mr. Previn. “I’m going to ask you to be new music director of the Pittsburgh Symphony Orchestra," Rosen said. Mr. Previn took the offer, the board approved it and he had the post in 1976.

 

Born in New York City in 1925, Mr. Rosen studied a double bass and performed professionally as a classical and jazz bass player when still in high school. He attended Queens College for a year before being drafted into the 99th Infantry during World War II. He was wounded and captured in Battle of Bulge in December of 1944 and sent to a German POW camp until he was freed in April 1945. He was later awarded a Silver Star, Bronze Star and Purple Heart.

 

Upon his return to the U.S. things moved rapidly both professionally and personally for Mr. Rosen. After knowing Bernice Malkind, a dancer with Martha Graham troupe, for only three days in a summer camp in upstate New York, he proposed to her and they were married soon after. He then enrolled in the Juilliard School of Music, studying bass there from 46-49. After a stint as a freelancer and with the Aeolian American Piano Corp manufacturer in Long Island, he took an American Symphony Orchestra League manager’s training course and in 1961 became manager of Orchestral Society of Westchester, New York. in 1962 he took over Columbus Symphony Orchestra, led the Buffalo Philharmonic from 1963-66 and became American Symphony Orchestra League executive director in 1966.

 

Mr. Rosen's career after departing from the PSO took him to new heights of the classical music field. In 1978  at the age of 52, he took over the top management position in the Philadelphia Orchestra. That post further solidified his stature and in 1982 he was hired by Carnegie Hall as managing and artistic director. In 1986, he left for a position at Arizona State University. In 1989 he founded the Institute for Studies in the Arts there.

 

"[He was] perhaps, the most respected management person in the American performing arts field," wrote Sheldon Morgenstern in his 2001 critique of the business, "No Vivaldi in the Garage: A Requiem for Classical Music in North America."

 

While being at the helm of Carnegie Hall was a highlight of Mr. Rosen’s career – he came on the specific request of famed violinist Isaac Stern – he was most proud of his tenure at the PSO, said his son:

 

“He was an innovator. When he was in Pittsburgh he grew the endowment to the largest in the field and that really represented the development of a strong underpinning of finance in the field. He was able to rally the corporate leaders behind the orchestra. That was a real leadership move on his part.”

 

But Mr. Rosen’s hard work came at a price. “He wasn’t around very much because he was working all the time,” said his son, who was a proficient trombonist who performed with the Pittsburgh Youth Symphony Orchestra and also attended Juilliard. The family resided in the Pittsburgh neighborhoods of Highland Park, Squirrel Hill and Oakland. “But he carved out time, coming to my baseball games and our performances.”

 

Mr. Rosen is survived by his wife Bernice of Valhalla, sister Beverly Scheer of Williamstown, Mass., daughter Judy of Milwood, New York and son Jesse of New York City. Funeral services will be private.

###

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RIP Seymour Rosen, former managing director of the PSO

Written by Andrew Druckenbrod on .

I just got word that former managing director of the Pittsburgh Symphony, Seymour Rosen, died this weekend. He was responsible for strong leadership and for hiring Andre Previn. More later on this.

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Renaissance & Baroque releases next season lineup

Written by Andrew Druckenbrod on .

From its press release. More later from me:

Renaissance & Baroque: Bringing Early Music to Pittsburgh
2013-2014 Season

PITTSBURGH, Pennsylvania (March 18, 2013) – Renaissance and Baroque, celebrating 45 years of
bringing the best in early music to Pittsburgh, announces its 2013-2014 season. R&B will present a six-
concert series.
R&B 2013-2014 Season: “Bach Runs Through It”

Stile Antico
Flanders Recorder Quartet
Piffaro
Les Délices
Ingrid Matthews & Byron Schenkman
Juilliard Baroque

All concerts are held on Saturday nights at 8:00 PM in Synod Hall (125 N. Craig Street, Oakland) except
for Stile Antico which is presented at and in association with Calvary Episcopal Church (315 Shady
Avenue) in Shadyside.

Subscription prices range from $36-$180, depending on seating and number of concerts in the package.
Single tickets are $35, $30, and $20 ($10 with full-time student ID). Discounts are available for seniors
and groups of 8 or more. R&B will again offer the Balcony Flex Plan of 6 vouchers for $105 and the
First Floor Flex plan for $165. These vouchers can be exchanged for seats at concerts in any
combination.

The R&B season opens OCTOBER 12 with the Grammy award winning ensemble Stile Antico, who
are back by popular demand performing The Phoenix Rising. The current popularity of English
Renaissance choral music owes much to the groundbreaking work of the Carnegie Trust, which
celebrates its centenary in 2013. In 1922, the Trust inaugurated the Tudor Church Music edition – a
series of hugely influential volumes, unearthing a wealth of extraordinary music that had languished
unperformed for centuries. Stile Antico celebrates this remarkable legacy with a program entirely drawn
from these publications, including masterpieces by Taverner, Tallis, Gibbons and White. Crowning the
program is the exquisite five-part Mass by William Byrd, whose modern reputation as the greatest
composer of the English Renaissance was founded on these pioneering editions. Presented in
collaboration with Calvary Episcopal Church (315 Shady Avenue).

On NOVEMBER 2, Flanders Recorder Quartert, the world’s foremost recorder quartet (4 musicians,
40 recorders), returns to Pittsburgh for A Musical Banquet with J. S .Bach , a delightful program inspired

by their boundless admiration for J.S. Bach. Original arrangements of works by the German master
comprise the first half and in the second we are invited to dine on delectable ‘courses’ – early and
contemporary – inspired by Chef Bach.

Piffaro returns to the R&B series on DECEMBER 7 for Drive the Cold Winter Away. The ever-
shortening days in November and December before the Winter Solstice call out for a defense against the
darkness and the cold, and what could provide a better antidote than singing, dancing, and music-
making! Piffaro’s program includes songs and dances that celebrate the various traditions of the season,
from hymns and chorale settings for Advent by Michael Praetorius to delightful Sephardic tunes for
Hannukah, from English songs and ballads to lively dances and popular tunes from across the continent,
all set to Piffaro’s wonderful array of shawms, sackbuts, dulcians, recorders, bagpipes, lute and harp.
The incomparable soprano Laura Heimes joins Piffaro for this program of seasonal delights.

R&B welcomes Les Délices to Synod Hall on JANUARY 18 for the program Myths and Allegories.
The Odyssey’s hero Ulysses survives storms at sea, shipwrecks, the tantalizing allure of siren songs, and
encounters with the Cyclopes – all set to music – in this colorful, fantastic program based on Les
Délices’ acclaimed second CD. Works by Jean-Féry Rebel, Elisabeth Jacquet de la Guerre, and Thomas-
Louis Bourgeois, and more.

Ingrid Matthews and Byron Schenkman make their R&B debut on FEBRUARY 16 performing The
Bach Standard. The Sonatas for violin and harpsichord of J.S. Bach represent a microcosm of what
makes the great composer great: exquisitely beautiful melodies, rich counterpoint, perfect formal
structure, and an unparalleled breadth of expression. Violinist Ingrid Matthews and harpsichordist
Byron Schenkman have been probing this magnificent repertoire together for over 20 years, dazzling
audiences with the intensity and passion of their performances and establishing themselves among the
top Bach interpreters of their generation.

On MARCH 15 Juilliard Baroque performs Salon/Sanctuary Concerts. Distinguished members of
faculty of the Juilliard Historical Performance program are individually award-winning recitalists,
Grammy-nominated recording artists, soloists, and/or principals with every major international early
music ensemble. Here they join together in a virtuoso conversation of brilliant German trio and solo
sonatas by G.F. Handel, both C.P.E. and his father J.S. Bach, and the mysterious and wonderful 17th-
century Czech composer Jan Dismas Zelenka.

The Pittsburgh Music Alliance, of which R&B is a member, will present a 12-hour all-Bach marathon
on Saturday, MAY 10, 2014 at Calvary Episcopal Church. Details will follow at a later date.

On NOVEMBER 9 Renaissance & Baroque together with the American Musicological Society will
present the Medieval trio Sequentia. Details to follow at a later date.

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